It’s from PictureCode, the same small Austin, Texas, company that produced Noise Ninja, which for years was the choice of many pro photographers for removing digital noise from images.Īfter converting, comparing, and then post-processing scores of images side by side in Photo Ninja and Lightroom (and occasionally in other programs, including Aperture, DxO Optics Pro, Raw Photo Processor, and Snapseed), I came to two conclusions.įirst, Photo Ninja’s default processes for rendering Raw files are remarkably effective-not often better than, but often on a par with my all-time favorite tool for challenging conversions, In this regard, Photo Ninja’s pedigree really shows. Sometimes, the Photo Ninja rendering of a shot exhibited finer detail but also less visible noise than the Lightroom rendering this result is especially impressive, because ordinarily the fix for noise involves blurring, which also hurts detail. This is the kind of Raw capture that Photo Ninja does best with. The sky is a nice, realistic blue and you can even see the jet contrails, and yet the exposure of the main part of the picture shows acceptable exposure, good color and rich detail. The image shown here, however, is Photo Ninja’s default conversion - with no tweaks at all. For example, Aperture’s initial conversion of the photo at the top of this article (of a mule caravan in the Grand Canyon) left virtually no color or detail in the sky in the upper right corner. Images that had a wide exposure range (shadowy woods and sunny sky) often opened in Photo Ninja without the blown highlights I’d occasionally see in Lightroom or Aperture. So how well does Photo Ninja do for me? Surprisingly well. Compared with renderings of the same files in other Raw converters such as Adobe Camera Raw (Īperture, Photo Ninja’s default rendering of my Raw files typically had finer detail and more vivid color. How well a program’s initial conversion suits your taste is the first question to ask of a photo-processing app.
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